Ken Lelen

Ken Lelen
Ken Lelen sings great American ragtime, jazz, swing and pop tunes in his concerts and plays vintage acoustic guitars for an authentic, back-in-the day sound.

Tuesday, April 30, 2024

                   2024 Concert Schedule

Date              Venue  /  Host                    Location                       Concert  Theme
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Jan     27              Pound Ridge Library, Pound Ridge NY                                  She Did It Her Way

Mar    1              Milltown Public Library, Milltown NJ                                  She Did It Her Way

Apr      7                Edison Twp Public Library, Edison NJ                                Vintage Guitar Roadshow

Apr    28               Edith Wheeler Library, Monroe CT                                       Poets of the Prairie

May    23              Concordia @ Short Hills, Pittsburgh PA                               Great American Cabaret

Jun       3               Cedarfield, Richmond VA                                                           MidCentury Melodies

Jun       4               Asbury Place, Winston-Salem NC                                            Juke Joint Jive

Oct     18                Concordia @ Short Hills, Pittsburgh PA                              He Did It His Way

Oct     20                Middlsesex Public Library, Middlesex NJ                          Roots of American Jazz

Nov    12                 Asbury Place, Winston-Salem NC                                            Great American Cabaret 

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                           ©  2024 — Kenneth Lelen — All Rights Reserved

Thursday, February 22, 2024

                                    Concert Themes for 2024

       Every song tells a story

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VintageMusicConcerts trace musical, romantic and historic themes with memorable tunes, clever lyrics and amusing anecdotes. Delighted adult and senior audiences say their favorite pop tunes are graced with wit & warmth, while hosts find the programs are easy to promote. Recently expanded and updated, here are the Concert Themes we're now offering.

 

Crooners, Swingers and Idols — Concert of familiar hits and romantic ballads popularized by the heart-throb crooners, Rat Pack swingers and TV-dinner idols of the 1950s and 1960s — songs that were hits for a generation that found its pop music on record players, transistor radios, juke boxes, the movies and sock-hops in high school gyms.

 

Vintage Guitar Roadshow — One hundred years ago the acoustic guitars now called vintage were newly made instruments. In this program, we offer some of the syncopated ragtime, early jazz and rhythmic swing tunes of the 1920s, 1930s and 1940s played on vintage acoustic guitars from the same period. This program re-creates back-in-the-day tunes — most of it familiar — that people heard when musicians performed it as new music.


Poets of the Prairie — Concert of songs and stories explores the cultural impact of some of the 20th Century's most talented musical artists — Midwest Americans from Woody Guthrie, Goebel Reeves and Gene Autry to Johnny Cash, Bob Dylan, Phil Ochs and Jimmy Webb, and popular mid-continent Canadians, from Ian Tyson and Gordon Lightfoot to Joni Mitchell and Buffy Sainte-Marie.


Kingston Trio Redux — Concert of well-known, much-loved tunes by the most successful combo of the 1960s, a trio that stretched the pop music scene with their brand of folk, folk-rock, calypso and show tunes they performed in small clubs, coffeehouses, colleges and hugely successful LPs.


The Moon, The Stars and You — Concert will summon the moon, the stars and misty memories for romantic insight and dreamy warmth with such timeless classics as Blue Moon, Old Cape Cod, Pennies From Heaven, Fly Me To The Moon, As Time Goes By, Stars Fell On Alabama, Beyond The Sea, Stardust, Dream A Little Dream Of Me and I'll See You In My Dreams. 


Roots of American Jazz — Concert of jazz tunes first heard on 78 rpm records, vaudeville stages, speakeasy bandstands, juke joint dance floors and, eventually, on radio. We will offer some of the songs first crafted by well-known and obscure jazz cats, from Isham Jones, Louis Armstrong, Bessie Smith and Bix Beiderbecke, Sophie Tucker and Mildred Bailey to Rudey Vallée, Sidney Bechet, Ruth Etting, Paul Whiteman and Hoagy Carmichael.


MidCentury Melodies — Concert of pop music from 20th Century’s juicy middle, with songs by Tony Bennett, Frank Sinatra, Nat King Cole, Rosemary Clooney, Kate Smith, Jo Stafford, Dean Martin, Ella Fitzgerald, Perry Como, Peggy Lee, Eydie Gormé, Dinah Washington, Vaughn Monroe, Frankie Laine, Patti Page, Eddy Arnold and others. 


She Did It Her Way — Concert celebrates the lives, careers, tunes & cultural influence of female composers, vocalists and recording artists of the 1950s and 1960s. In addition to well-known pop singers, this program honors previously unheralded songwriters, including Dorothy Fields, Claire Rothrock, Cindy Walker and Sadie Vimmerstedt, who created evergreen songs.


He Did It His Way — Concert honors the lives, careers, tunes and cultural impact of male song writers, vocalists and recording artists from the 1950s and 1960s. In addition to well-known pop singers, program celebrates previously unheralded composers, including Bart Howard, Joe Kosma, Ned Washington, J.D. Loudermilk, Johnny Black, Neil Moret and Richard Whiting.


My Achin’ Breakin’ Heart — Concert of tear-stained ballads, steamy standards and love-struck laments from the 1950s and 1960s written by N.Y., L.A. and Nashville songwriters for movie, folk, Broadway and country music fans. Everybody deserves an hour of musical heartburn.


Great American Cabaret — In the 1950s and 1960s couples dated, dined and danced in cabarets, juke joints, hotel ballrooms, nightclubs and restaurants that featured fine dining, live music and a dance floor. We'll offer some well-loved ballads, swing standards and hit tunes popularized by jazz combos, saloon singers and dance bands from back in the day. 


Folk Song Boomers — Concert of the folk, protest, traditional & ethnic songs that were sing-along anthems, radio favorites and hit recordings for the post-WW II teenagers known as Baby Boomers.


Broadway Song Mementos — Tunes that Great White Way producers used to advance dramatic and comedic story lines, tout latest ingénues, spur publicity in the media and, perhaps, draw extra income. Such options included sheet music sales, radio airplay, recordings, jukebox selections and conversion to feature movies. Concerts typically include songs from "Everybody's Welcome," "The Great Magoo," "Babes in Arms," "Music Man" and other stage productions. 


Great American Songsters — Song and stories of the 20th Century artists, composers, vocalists and musical scamps who helped spawn the genres known today primarily by marketing monikers: jazz, folk, blues, shouter, Americana, swing, boogie-woogie, hokum, folk rock, British folk revival, country 'n western, Brill Building and western. Just don't expect bubblegum, grunge or arena rock.


Hollywood Souvenirs — Concert of songs that allowed Hollywood moguls a way to capitalize on the tunes inculcated into their celluloid dramas, torrid romances or screwball comedies. Concerts typically include songs from "Some Like It Hot," "Pal Joey," "Babes in Arms," "Shall We Dance," "Julie & Julia," "Manhattan Melodrama," "Pollock" and other movies.


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                                              ALSO AVAILABLE 

Over the past 25 years we have also offered these great programs to audiences at retirement communities, senior centers and public libraries along the East Coast and Midwest. They are available for concerts as well.


          Big Band Idols — Concert of memorable tunes immortalized by top-tier musicians, swing vocalists and impresarios who fronted Big Bands, jazz combos, society orchestras and juke-joint players in the 1930s and 1940s.

          Bye Bye Blues — Concert features the jazz and swing hits popular in the era between world wars. Young people enjoyed the tunes since they were danceable, with clever lyrics and memorable melodies. Many were performed by vocalists and Big Band leaders who gained popularity with their simultaneous appearance in recordings, radios, juke boxes and movies.

          In The Mood — Concert offers a bouquet of romantic tunes from the 1940s that gave pop music its emotional depth and resonated with folks on the Home Front and Front Lines. Back in the day, nostalgic escapism was a priority for many. This concert will help you get away from it all.

          Juke Joint Jive — Toe-tappin' tunes favored by the teenage rebels of the 1940s known by their slang labels: bobby soxers, swing-shift maisies, drugstore cowboys, stagedoor johnnies, lindy hoppers, jitter buggers and zoot suiters.

          Legendary Love Songs — Concert offers standards with amorous lyrics, memorable tunes and warm sentiments to recall old flames, illicit moonlit rendezvous, romantic affairs and heartache.

          Radio Ramblers — For more than three decades Americans turned on a tabletop, portable or console radio for their favorite music, comedy, drama, news, gossip and sports. In this concert we salute the shows, singers and emcees who were cultural forces during radio’s heyday.

          Sunny Side of Street — Concert of mirthful and romantic songs to smother you with pithy advice, repair your personality, beat back the blues and poke fun at high society.

          Tin Pan Alley Cats — Stories and songs by famous composers, including Cole Porter, Frank Loesser, Irving Berlin, Johnny Mercer, George Gershwin, Jule Styne, Hoagy Carmichael and others.

          Torch Song Embers — Concert of bittersweet tunes — painful, torchy and regretful ballads — songs we remember because they allow us to idolize the One Who Got Away, recall a long-ago romantic tryst or rue some misbegotten lover. This concert is about remembrance as well as how we create and hold onto besotted memories.

 

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                                                  © 2024 - Kenneth Lelen - All Rights Reserved

Friday, January 5, 2024

       Celebrating  25  Years of Concerts
Singing great American tunes while playing
 vintage acoustic guitars for adults & seniors.
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This year marks my 25th year performing for adult and senior audiences. Hosts have included libraries, retirement villages, arts & culture councils, fraternal groups, senior centers, churches, museums, community colleges, social clubs, coffeehouses and many other venues across the East Coast and Midwest.


I launched VintageMusicConcerts in 1999 after 28 years of writing for magazines, catalogs, newsletters and newspapers in Boston, New York, Trenton, Philadelphia and Washington DC. The last nine years included churning out feature articles and a weekly column for the Washington Post. But I decided I wanted something more productive than dealing with the swamp creatures of Washington and the scalawags of publishing. I was ready for something fresh. 


I had abandoned a budding career as a singer and guitarist during college and now, 30 years later, I began looking for a musical niche to exploit. After a year playing open mics, smokey bars and radio shows for free publicity and something called "exposure," I was invited to perform for residents at a retirement village in Bucks County PA.


That night I discovered the joy I could bring an audience of adults and seniors. I also felt the modest glow of getting paid to play vintage guitars and sing great old tunes for an appreciative audience.


Vintage songs for vintage audiences 

I hatched a plan to produce concerts with me playing vintage guitars, singing vintage songs and performing for vintage audiences. That was the concept.


My events were never billed as "legacy concerts" or "tribute concerts," to name the clichés I sometimes heard. Nor would I offer "musical therapy" or "lifelong learning." In small venues people want entertainment with a side of education, so I knew they'd enjoy attending live concerts more than listening to the tinny noises on a cell phone. I also knew they'd like hearing songs they heard in their younger days. 


After minimal research, I began promoting this venture to activity directors who booked and paid for concerts with my target audience — seniors at continuing care retirement centers, libraries, arts & culture venues, museums, travel clubs, and associations of retired professionals with a budget for monthly programs. 


It soon was clear people enjoyed my stories and songs in the context of a 60- to 90-minute entertainment. Within five years, I averaged 140 one-night stands a year while I hauled my sound system, six to eight guitars and a small suitcase between Maine and Florida, and west toward Ohio and Michigan. No overnight sensation by anyone's measure, I was earning hundreds and hundreds of dollars a year with this enterprise.

 

Oh, the stories they'd tell 

Early on, I learned fascinating things about 20th Century Americans and their favorite songs. My audiences — folks in their 80s, 90s and 100s — would hum and sing and tap their feet to the music, especially if I was in sync with their mood. Then, afterward, they'd come up to me to talk about the music of their youth and about their younger days. 


They told me who they dated, their favorite songs, dance steps, where they grew up, places they visited and what they did with siblings, friends and beaus. The intimacy of these concerts led them to reveal what they saw, sensed and felt — private things that had happened to them back in the day when the songs I sang that night still belonged to them. 


One woman, she called herself a "Jersey girl," recalled it cost a quarter to get into RKO Paramount Theater in December 1942 to see a movie and hear Frank Sinatra sing a few songs to an audience of teen-aged girls. She didn't have the money for admission, so she climbed the fire escape to enter the theater from the roof.


Once inside, she had to fight for a seat because none of the other bobby soxers in the audience would give theirs up after one of Frank's sets. By late afternoon, the aroma in the theater was breath-taking, she added. 


Another woman, who worked as a soda jerk in her father's Indiana drugstore, remembered making milkshakes, lime rickeys and one-at-a-time sodas (syrup + ice + seltzer, five cents for a small, ten cents for a large) for teenage boys and girls who met after school at the drugstore, dropped dimes in the juke box or hid out in the phone booths. 


Yet another woman, a Rockette dancer at Radio City Music Hall in the 1940s, described an awkward date she had one night with a stagedoor johnny named Mickey Rooney. "He came to the back door looking for a date with a big bouquet of flowers," she told me. "So, I went out with the guy, but I didn't marry the S.O.B. You know he was married eight times?" 


One night, after a concert in Florida, I met the pilot of a Flying Fortress — B-17 bomber. He told me he had flown more than 25 missions and survived miserable ack-ack attacks over Europe in World War II. He could barely walk and eased his awkward gait with a cane. Yet he smiled as he recounted intimate details of a disastrous blind date his sister had set up for him. He also repeated the words to a few of the songs I sang that night. 


One time, to announce my next song, Herman Hupfeld's 1931 classic, "As Time Goes By," made famous in the 1942 film, "Casablanca," I told them, "It's about star-crossed lovers." People in the room giggled. They broke out in smiles. Then, they gushed with misty tears.

 

In memory's grip

My audiences revealed things to me they never told anyone else.


The stories they shared could summon a long-ago lover's tryst. Or unmask a lover's double-cross. Or embrace a torch that still shined for a misbegotten cad. As well, a story might summon from memory's depths the smile of a father, brother or son lost in the war or the perfume of a woman they once dated. 


I couldn't resist telling my latest audience about my encounters with the people I'd met at a previous concert. I began to fashion their stories, tall tales and secrets into anecdotes, humorous stories and pithy intros. Each concert would expand my repertoire of narrative accounts for the next concert.


Eventually, I spun these yarns into more than two dozen themes that traced musical, romantic and historic ideas. Each concert employed the memorable melodies and sophisticated lyrics of their favorite songs from back in the day.


But time marched on and audiences began slipping away. Concertgoers included younger and younger cohorts, folks who came of age during the 1940s, then the 1950s and 1960s.


Likewise, the stories and songs in my themes moved out from the 1920s and 1930s and into the 1940s and 1950s. Today, most of my programs are aimed at people who call themselves Baby Boomers — the folks who came of age during the 1960s and 1970s.


So, as I perform VintageMusicConcerts across the East Coast this year as I have for 25 years, new concert themes ideas continue to arise. So stay tuned. 

 

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©  2024  Kenneth  Lelen  —  All  Rights  Reserved