March is Women’s History Month
She Did It Her Way
Stories and songs of female vocalists, recording artists and composers
Each March for the past decade I've saluted Women's History Month by offering a cluster of She Did It Her Way concerts at libraries and senior facilities on the East Coast. Most recently it was performed in Erie and Pittsburgh PA, Dover DE, Parksville MD, and in Bloomfield, Whiting, Milltown and Middlesex NJ.
The program features stories and songs of female vocalists and female recording artists who plied their craft in the 1930s, 1940s, 1950s and 1960s. The concert presents hit songs of such musical luminaries as Ella Fitzgerald, Billie Holiday, Bessie Smith, Kate Smith, Mitzi Gaynor, Judy Garland, Peggy Lee, Dinah Shore, Dinah Washington, Jo Stafford and Patti Page.
In late 2023 we expanded the program to honor female composers of pop songs. To wit, the emotional strength of their music and cultural contribution of their art had been overlooked by fans, musicians and media for too long. What's more, few of these artists earned recognition of their work during their lifetime despite the score of hits each produced.
She Did It Her Way concerts now include songs written by such overlooked and talented female writers as Chilton Price, Sadie Vimmerstedt, Cindy Walker, Claire Rothrock and Dorothy Fields. Given the warm reception audiences have paid the songwriters, their stories and tunes, mid-20th Century female songwriters have become the core of the concert program.
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Hit songs in She Did Her Way concerts from
female recording artists or vocalists include:
The Lady Is A Tramp — This song was launched into popularity by former child actor Mitzi Gaynor in a 1937 coming-of-age Broadway play, Babes In Arms. The song is a spoof of big-city socialites and the clever contrivance of the composer Richard Rodgers and lyricist Lorenz Hart. Gaynor would meet fame and fortune from her starring role in the 1958 movie musical South Pacific.
The song was also sung in 1937 by Edythe Wright, a vocalist in Tommy Dorsey's band and Judy Garland in 1939 for the Hollywood version of the play. Lena Horne had a hit with the song in 1948 and Frank Sinatra saw huge LP record sales with it by his singing role in the 1957 movie Pal Joey.
Time has only deepened the sonic well of this song. To wit, the most exciting and classy version of this song just might be the combination of the 25-year old pop icon Lady Gaga and an 85-year old Tony Bennett for his 2011 album Duets II.
Lady Gaga and Tony Bennett sing "The Lady Is A Tramp" in 2011
I’m Through With Love — This jazz standard was composed by Fud Livingston, Matty Malneck and Gus Kahn in 1931. Early covers by female vocalists included Dinah Shore in 1941 and 1951, Sarah Vaughn in 1947, Carmen McRae in 1957, and Ella Fitzgerald in 1959.
The song gained notoriety and a perch in the pantheon of torch songs by Marilyn Monroe, who played vocalist Sugar Kane in the 1959 film, Some Like It Hot. Near the movie's end she sings it as a lovelorn lament while perched atop a piano in a black slinky dress. Some say her dress was as memorable as the song.
Plucked from obscurity in 1968, the song became the signature tune of Cass Elliott, a member of the folk-rock group The Mamas & The Poppas. Her solo recording sold seven million copies.
It seems everyone and his cousin likes to give this song the up-tempo crooner treatment, usually seasoned in Dixieland or Vegas overtones. This musical rabble includes covers by Jo Stafford, Peggy Lee, Joni James, Rosemary Clooney, Bette Midler and Liza Minelli.
In my view, however, it wasn’t until Ella Fitzgerald teamed up with guitarist Joe Pass for their 1986 album Easy Living that “On A Slow Boat To China” received the artful, wistful, romantic treatment it deserves.
Ella Fitzgerald and Joe Pass perform "On A Slow Boat To China" in 1981
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Songs in She Did Her Way concerts
composed by female artists include:
You Belong To Me — This popular ballad from 1951 is memorable to many fans for its opening line: “See the pyramids along the Nile.” It was entirely written by [Ms.] Chilton Price, who had little experience in the pop music world.
So, when the song was published she shared credit with two experienced hands — country music artists Pee Wee King and Redd Stewart — who gave assistance with publicity, distribution and tinkering with the lyrics.
Indeed, King and Stewart revised the song's lyrics from its original late-1940s wartime focus to one with a universal view of separated lovers. As a result, the song has had an appeal for fans generations apart.
It was first recorded in the summer of 1952 by Joni James, Jo Stafford, Patti Page, Ella Fitzgerald and Dean Martin. Best of the bunch was the smooth and sweet vocals of Jo Stafford, whose 78 rpm record spent 24 weeks on pop charts in the U.S. and U.K.
A decade later The Duprees, a five-man doo-wop group from Jersey City NJ, saw their 45 rpm record reach No. 6 on Billboard’s Hot 100 chart. Believe it or not, the one and only Ringo Starr also recorded this song — a boisterous and speedy dance-hall variant — in 1981.
The Dupree's sing "You Belong To Me" in 1962
Walker agreed to turn Arnold's concept into workable lyrics and melody, she told an interviewer for the Grammy Foundation Living History. “Let me let it cook and I’ll let you know,” she told him.
“I was up in my little studio just sitting there. All of a sudden, here comes this song. 'You give your hand to me and you say hello'," she recalled.
"But I couldn't finish it. I couldn't find any way to finish it. Maybe two or three weeks went by and nothing happened. One day, [I thought] 'You give your hand to me and then you say goodbye,' and when it said that, I knew exactly where it was going.
“To make a long story short, I couldn't wait to get to the phone to call Eddy." Lest it go unsaid, a hit recording by Eddy Arnold quickly followed.
Many people have recorded this song, but the best-selling version was the plaint and anguished cover by Ray Charles in 1962. It peaked at #1 for 14 weeks on Billboard’s Pop Album chart. Today, it’s revered as the most soulful version of an emotionally impactful tune.
Sadie began to write the song only to realize her musical skills were limited. So, in 1957 she sent a handwritten note to tunesmith Johnny Mercer with the song’s first line — "I want to be around to pick up the pieces, when somebody breaks your heart." She asked for Mercer’s help in finishing the ballad, which took another five years.
In 1963 balladeer Tony Bennett had a big hit from Sadie and Johnny’s collaboration. Mercer gave Sadie half the song’s royalties, which were sizeable given the number of people who recorded it. Among the many covers by female artists are records by Aretha Franklin, Patti Page, Julie London, Brenda Lee, Dinah Washington and Eydie Gormé.
I Don’t Know Enough About You — This is a very clever song written by a pair of very clever people, vocalist and lyricist Peggy Lee, and her husband, writer and guitarist Dave Barbour. They married in 1943 while both performed in the Benny Goodman Orchestra. Within a year, both left, however, due to Benny’s prohibition on band members fraternizing with his “girl singer.”
By 1945 they were writing songs and making records for Capitol Records. Peggy would record the song three times in her life — in December 1945, January 1956 and September 1992.
This version of the song was produced in 1950 as a promotional film that reveals the couple’s obvious chemistry. Key to this achievement is Peggy’s jazz-tinged vocals and subtle facial gestures, as well as Dave’s smooth guitar work.
© 2024 — Kenneth Lelen — All Rights Reserved