Ken Lelen

Ken Lelen
Ken Lelen sings great American ragtime, jazz & swing and plays vintage acoustic guitars for an authentic, back-in-the day sounds. Photo by Mike Nixon - Aug 2002.

Wednesday, March 31, 2021

Four Martin-made Bacons
surface in vintage markets
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     © 2021 by Kenneth Lelen — All Rights Reserved
 
See also:    "Bringing Home the Bacon & Day"  —   posted Weds, July 15, 2020 
                       "Recent Bacon & Day Sightings"      —   posted Thurs, July 16, 2020

Four Bacon acoustic guitars from the early 1920s have surfaced in vintage guitar markets. One has a pearl Bacon logo on the headplate, while the other three have a die-stamped Bacon Banjo Co. indicia across the rear of the headstock.

The four guitars were produced by C.F. Martin Co. of Nazareth PA as a standard model with typically plain appointments and premium woods for Bacon Banjo Co. of Groton CT. Each was produced under the aegis of a build-and-brand contract that joined the firms for two years. 

So far only these four Bacons from the 1920s have been examined by vintage guitar players, dealers and collectors. There are other, as-yet unidentified Bacon guitars with a Martin pedigree. Martin is said to have built no more than two dozen Bacon guitars for the banjo maker in the mid-1920s.


The recently found units are rare, well-made and well-preserved guitars. Collectively, they cast new light on the first effort by the Bacon company, a well-known banjo maker, to market a line of premium guitars. They also illustrate Martin's bumpy road in selling private label guitars. 


By the 1920s Martin had been trying for half its existence to boost sales among several entities and venues in the music business, including retail shops, music teachers, sheet music publishers and regional distributors. These Martin-built sales deals usually took one of three forms: Martin-branded guitars; unbranded guitars; and privately labeled guitars. Some of these instruments had a Martin serial number. Some did not.

 

Martin may have had high expectations with Bacon, since it was dealing with a nationally distributed musical instrument firm or publisher, such as The Ditson Company, Southern California Music Co. or Rudolph Wurlitzer Guitars, which each generated sales of several hundred instruments for Martin. But Bacon's sales of Martin-made guitars were lackluster. In the end, it made and sold only a few dozen guitars with Bacon and the deal was short-lived.

 

Bacon logo, indicia stamp, dovetail S and Martin serial number

"A few guitars without Martin stamps were made for the Bacon Banjo Co. about 1924," said Mike Longworth, former company historian and the author of Martin Guitars, A History (4 Maples Press, © 1988, 2nd printing 1994), which presents what amounts to an etymological survey of Martin guitar styles, nomenclature, production totals, dimensions and pricing over a 160-year span.

 

Longworth didn't identify any Martin style numbers or production totals for the guitars it made for Bacon. He nevertheless added, "Some of Bacon[']s guitars were probably made by other firms, as well," without identifying any makers.

 

Only one of the four Bacon guitars has a pearl logo typically found on banjos it made from the firm's start in 1906 to its demise in 1938. The rest are die-stamped "Made by the Bacon Banjo Co. Inc., Groton, Conn, U.S.A." on the back of the headstock.

Three of the four newly found Bacon guitars are concert-sized and built with a design and materials similar to a Martin 0-21. Each has a 131/2-inch lower bout width, slotted headstock, neck with 12 frets to the body, ebony finger- board, bar frets and pearl dots at the 5th, 7th and 9th fret. Each is made with rosewood back and sides, spruce top and an ebony pyramid bridge.

The fourth Bacon guitar is identical to a Martin 2-17 model. The back, sides and top of this guitar are solid mahogany. It has the 12-inch lower bout width of a 2-17 model, neck with 12 frets to the body and bar frets on ebony fingerboard.


Guitars made under build-and-brand contract

The Bacon company owners, Fred Bacon and David Day, made a later attempt at selling premium guitars when banjo sales sagged in 1930. Since they didn't build guitars, they again used a build-and-brand contract with an outside firm. At that time they chose Regal Instrument Co. of Chicago IL, which produced nearly two dozen models of ornate and pricey guitars with a Bacon & Day label.

 

In the last 20 years these top-of-the-line arch-top and flat-top guitars by Regal, built between 1931 and 1939 for Bacon Banjo Co., have blossomed in collector esteem and monetary value among vintage guitar cognoscenti. 

 

Unlike these Bacon & Day guitars by Regal, few Bacon guitars by Martin from the 1920s were known to exist. So offering details on these newly unearthed guitars is intended to illuminate an otherwise overlooked period in the histories of Bacon Banjo Co. and C.F. Martin Co.

 

Bacon with dark and glowing russet burst

1924 Martin-made Bacon (no sn)

with S on surface of dovetail joint

The first of the three Bacon guitars matching Martin's 0-21 model features a spruce top finished in a dark and glowing russet burst. It has an ebony pyramid bridge, premium tuning machines and Bacon headplate logo indentical to those found on every Bacon banjo during the 1920s and 1930s. 
 
It does not have a serial number on the neck block to indicate Martin origin. Instead, the neck's dovetail joint, which was open during a recent reset, contains the letter S, a mark Martin employed to signify special editions of its instruments. 
 
This guitar was discovered on a Connecticut farm in June 2005 and listed for sale with Bernunzio Vintage Instruments, a retail dealer in Rochester NY. Bernunzio initially offered this vintage acoustic guitar for $6500. Within a year the dealer reduced its price to $5000. 
 
This guitar was built by the Martin factory prior to the installation of top bracing of sufficient strength for its use with steel strings. Pretty, delicate and precious, it is a one-of-a-kind instrument.

 

Bacon with Martin serial number

1923 Bacon with Martin sn 18909
The second concert-sized Bacon guitar has a Martin serial number — 18909 — on its neck block. This places the guitar's production in 1923.

Its design and construction is identical to a Martin 0-21 guitar. However, the spruce top on this Bacon has a natural finish, not a shaded finish like the Bacon described above.

It also has a herringbone rosette and herringbone backstripe as found on the typical Martin 0-21 of the 1920s. At that time it sold at retail for $50.

This rare bird does not have a Martin insignia or pearl Bacon logo on its headplate. Instead, the rear of the headstock has been die-stamped: "Made by the Bacon Banjo Co. Inc., Groton, Conn, U.S.A."

The neck on this instrument was reset by Elderly Instruments of Lansing MI in early 2018. At that time Elderly listed the guitar for sale at $7950.

 

Martin 0-21 with die-stamped Bacon brand

The third Bacon is also identical to a Martin 0-21. It was built with a concert-sized rosewood body, spruce top and 12-fret neck. It was produced without Martin branding or serial number. Instead, it was die-stamped on the nack of the headstock: "Made by the Bacon Banjo Co. Inc., Groton, Conn, U.S.A." 

 

This third Bacon guitar is one of many vintage Martin acoustics described and displayed with images by photographer and guitar collector Robert Corwin of Philadelphia on his website www.vintagemartin.com.

 

Tuning machines on 1923 Bacon concert guitar by C.F. Martin Co. Photo: Robert Corwin

 

Bacon ordered four guitars from Martin in 1922 "as samples, with the intention of selling a line of Martin made instruments with the Bacon [brand]," according to Corwin. "The guitars were stamped [with Bacon indicia] in mid-1923, one shipped on September 7, and remaining three shipped on November 23rd." 
 
Corwin asserts without attributing a source that Bacon originally requested the guitars delivered "in the white," or unfinished. However, the managers of the Groton CT firm "changed their minds and sent the first of them back to Martin to be finished," he said.


1924  Bacon 2-17  model

has Martin sn 20956 and

die-stamp "Bacon Banjo"
Martin 2-17 with Bacon die-stamp and Martin sn Martin also produced a parlor-sized mahogany guitar for Bacon Banjo Co. It is stamped "Bacon Banjo Co. Groton, Conn." on the back of the headstock. The present owner, Douglas Harrigan of Salem NH, said he didn't realize it was made by Martin until recently, "after doing some deep dives on the Internet."

This dimunitive guitar has a Martin serial number — 20956 — across its neck block. This number dates the instrument's production to 1924. During that year Martin built 500 of such 2-17 models and sold them at retail for $27.50. Of note is the fact that this guitar is among the first guitars Martin produced that were braced sufficiently for use with steel strings.

The guitar originally belonged to Harrigan's father. "He bought it second-hand sometime in the mid-1930s," he said. "It has been in the family ever since, though played very little."
 

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         © 2021 by Kenneth Lelen — All Rights Reserved

Thursday, December 31, 2020

           Concert Schedule — 2020 and 2021
                         Trump lied.  People died.  The nation cried. 
 

A large dose of caution, as the threat of Covid-19 spread through Spring and Summer 2020, led my hosts at public libraries, retirement villages, social clubs, fraternal groups, senior centers and churches to cancel their Vintage Music Concerts. Then, in the Fall, several of these events were optimistically rescheduled for 2021.

 

But the pandemic continued into the Winter of 2021 and it was clear holding concerts for older adults gathered in congregate spaces was not a good idea. Sweet Jesus, in the last year 127,491 people died of Covid-19 at 29,351 long-term care, assisted living and skilled nursing sites in the U.S. They were staff and residents of these facilities — the people I work with, the people I sing to. *

 

Sadly, a few hosts — program managers, life enrichment directors and concert bookers  — still don't realize the danger of the virus or the jeopardy we all face. To wit, in recent weeks I've had to turn down requests to perform this winter and later in 2021 at senior sites, life care villages, public libraries and cultural centers. To my dismay, not one of the hosts identifieduntil I asked — health and safety measures they'd institute for the audience, performer or facility staff at these concerts. 

 

Lest it go unsaid, Vintage Music Concerts work best — make people happy and feed their hearts — when they are performed in front of live audiences as I sing love songs and tell tall tales, then look 'em in the eye and see the smiles. Maybe you haven't heard, but singing to cameras in empty auditoriums and chapels or zooming songs to a laptop screen are not concerts.

 

So, any rescheduled dates made at this time would be tentative at best. It's even possible such events may be delayed further if Covid-19 — even with vaccines — continues to endanger people.

 

We’ll be glad to let you know when it's safe to hold a Vintage Music Concert at a public library, senior site, community center, church or club. Lest it go unsaid, I look forward to singing and playing for folks with great joy. And lots of smiles.

 

Until then, take care.

 

              Ken .

 

*  https://covidtracking.com/data/long-term-care 

    www.nytimes.com/2020/12/31/opinion/sunday/covid-nursing-homes.html?searchResultPosition=1

 
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© 2020 — Kenneth Lelen — Al Rights Reserved

Tuesday, August 11, 2020

Concert Videos

Vintage Music Concerts  &  Song Videos
Performed by Ken Lelen before audiences at libraries,
lifecare communities, music clubs and senior centers.
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      © 2020 Kenneth Lelen — All Rights Reserved 


She Did It Her Way - Concert
Program celebrates the lives, careers, romances and hit songs of female
vocalists and recording artists who were popular during the Big Band Era.  


Wednesday, 5 June 2019
Linden Public Library, Linden NJ
www.lindenpl.org — Video by Brad Creanzo
Program performed with four vintage acoustic guitars: 1931 B & J Serenader, 1932 Regal MarvelTone, 1939 B & D Groton 1 and 1940 Gene Autry Round-Up.

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She Did It Her Way - Concert 
Program celebrates the lives, careers, romances and hit songs of female vocalists and recording artists who were popular during the Big Band Era.
 

Saturday, 11 May 2019
Old Bridge Public Library, Old Bridge NJ
www.oldbridgelibrary.org — Video by Mary Granahan
Program performed with four vintage acoustic guitars: 1933 Regal MarvelTone, 1934 Gibson KG-11, 1939 B & D Groton 1 and 1940 Gene Autry Round-Up.

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Hollywood Song Souvenirs - Concert
Program offers tunes made popular and famous once they were heard by millions in Hollywood's hit dramas, zany comedies or romantic comedies.


Wednesday, 13 June 2018
Linden Public Library, Linden NJ
www.lindenpl.org — Video by Brad Creanzo
Program performed with four vintage acoustic guitars: 1931 B & J Serenader, 1932 Regal MarvelTone, 1939 B & D Groton 1, and 1940 Gene Autry Round-Up.

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Juke Joint Jive [video link] 
Concert of toe-tappin' tunes popular with teenage rebels in the 1930s and 1940s.



Saturday, 11 March 2017
Old Bridge Library, Old Bridge NJ
www.oldbridgelibrary.org — Video by Mary Granahan
Program performed with five vintage guitars: 1932 Regal MarvelTone, 1933 Regal MarvelTone, 1934 Gibson KG-11, 1936 Gibson L-00, and 1940 Autry Round-Up.

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"I’m Beginning To See The Light"
© 1944 by Duke Ellington et. al.


17 November 2010
Holden Senior Center, Holden MA
https://fhcoa.org — Video by Daniel Castro
Ken Lelen performing with 1939 B & D Groton 1 acoustic guitar.

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"Ain't Misbehavin'"
© 1929 by Waller + Razaf



27 March 2010 Concert
Bound Brook Library, Bound Brook NJ
https://sbbnj.com/library — Video by Ben Auletta Sr
Ken Lelen performing with 1926 Maurer #493                 
Matt Koch on acoustic bass
 

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•  "Had To Be You, Give Anything But Love, You Are My Sunshine[link]
     Bound Brook Library, Bound Brook NJ          27 March 2010 Concert
     Ken Lelen on 1920 Grauso + 1936 Sovereign   Video by Ben Auletta Sr
     Matt Koch on acoustic bass

•  Peach Pickin' Time In Georgia   [link]           © 1932 by Jimmie Rodgers
     Bound Brook Library, Bound Brook NJ          27 March 2010 Concert
     Ken Lelen on 1935 Sovereign OM                    Video by Ben Auletta Sr
     Matt Koch on acoustic bass


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•  All Of Me   [link]                                         © 1935 Marks + Simons
     Florham Park Library, Florham Park NJ     8 November 2009 Concert
     Ken Lelen on 1933 Martin OM-18                  Once owned by Carl Sandburg
     Matt Koch on acoustic bass                          Video by William Henderson

•  I'm In The Mood For Love  [link]               © 1935 by Fields + McHugh
     Florham Park Library, Florham Park NJ     8 November 2009 Concert
     Ken Lelen on 1926 Maurer #493                  Video by William Henderson
     Matt Koch on acoustic bass

•  Love Is Just Around The Corner  [link]       © 1934 by Gensler + Robin
     Florham Park Library, Florham Park NJ      8 November 2009 Concert
     Ken Lelen on 1939 B & D Groton 1               Video by William Henderson

•  Tennessee Waltz   [link]                               © 1948 by Stewart + King
     Florham Park Library, Florham Park NJ       8 November 2009 Concert
     Ken Lelen on 1936 Sovereign OM                     Video by William Henderson
     Matt Koch on acoustic bass


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•  Ain't Misbehavin'   [link]                                 © 1929 by Waller + Razaf
     Folk Project Minstrel, Morristown NJ         17 July 2009 Concert
     Ken Lelen on 1926 Maurer #493                  Video by Folk Project staff
     Matt Koch on acoustic bass                           

•  Georgia On My Mind   [link]                           © 1930 by Hoagy Carmichael
     Folk Project Minstrel, Morristown NJ         17 July 2009 Concert
     Ken Lelen on 1933 Regal MarvelTone            Video by Folk Project staff
     Matt Koch on acoustic bass

•  Gonna Sit Down, Write Letter  [link]              © 1935 by Alert + Young
     Folk Project Minstrel, Morristown NJ         17 July 2009 Concert
     Ken Lelen on 1933 Regal MarvelTone            Video by Folk Project staff
     Matt Koch on acoustic bass

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© 2019 — Kenneth Lelen — All Rights Reserved